DETECTING FORGERY WITH THE MICROSCOPE
In all examinations of questioned signatures to determine the
individual habit of the writer the use of the compound microscope is a
necessity to obtain the best field for study and analysis for the
reason that the most important details are often so minute that they
cannot be seen with the naked eye in sufficient size to determine
their individual character and accuracy. A magnifying glass has but a
limite
field in this class of work, for it is not easily held in
position steadily for continued observation and study, besides it has
not the requisite power for the work. The lower powers of the compound
microscope are but available for the examination of signatures for the
reason that when the higher powers are used but little of the
signature is in the field of vision, although the power of the lens
may be increased when some particular point or feature in the writing
requires greater enlargement for more perfect definition. The higher
powers of the microscope are sometimes used to ascertain the character
of inks with which the writing is done, and also to determine the
character of the paper on which a signature is written, which at times
becomes important. For all practical uses of the microscope in the
examination of signatures the range of object enlargement occurring
between a three-inch and an inch objective will be found to answer the
purpose, as the various powers of the lenses become important in
making the analysis.
While it is a fact that the microscope and a knowledge of its uses is
of the greatest importance in ascertaining the character of the
signatures, when the question of their being forged or genuine is the
object of the examination, it does not follow that because a person is
learned in the use of the microscope in other fields of research that
he is therefore qualified to become an expert in handwriting. A
peculiar education made practically applicable by experience in this
latter field of study is absolutely necessary to determine with
accuracy what the microscope reveals, and its importance to give value
to any conclusions reached by its use. The connection of effect with
cause, and the determination of the latter as a matter of individualism
cannot be accomplished merely from what is seen under the microscope.
The examiner must by experience and education be fitted to ascertain
from personal characteristics manifested in the writing of a signature
necessitated their appearance as a matter of individuality.
From one of the best-known European experts on handwriting and who has
figured conspicuously in important cases some interesting facts
relative to this subject recently were learned. To the question, "What
is the primary requisite for a conscientious opinion on the
genuineness of any submitted handwriting?" this expert unhesitatingly
replied, "An utter and entire absence of either feeling or prejudice.
In other words, one should be perfectly dispassionate when engaged in
such a work and use a first-class compound microscope."
To make his analysis the expert uses a microscope of great power, and
by a strict and close attention to the subject-matter he can determine
the exact means or methods employed in making the individual letters
and the formation of the words and also the several inks that were
used. Handwriting as defined by this expert is a mechanical operation
pure and simple. Its general excellence or the reverse is largely
dependent on the education which the hand has received. When a man
sits down to write he mechanically reproduces on paper what is in his
mind, and this may be said to be his natural handwriting. Should he
stop to think even for a moment, not of what he is transferring to the
paper but of the writing itself, he instantly ceases to write his
natural hand, the transcription becoming only a copy or drawing from
memory.
In the opinion of the expert, emphatically expressed, a person never
writes twice exactly alike. This is stated to be the point around
which all his subsequent developments revolve when examining a
manuscript. Let several examples of the natural handwriting of an
individual be compared. It is true that there will be a general
similarity, but, as has been asserted, when placed in juxtaposition or
subjected to a careful comparison under a microscope no two words or
letters will be found to be alike. Thus it is not the similarity
between two pieces of writing that would arouse suspicion with some
experts, but rather the natural dissimilarity. Based on this point
such experts occupy a distinct position by themselves, since other
experts take what is called the positive side. With the first-named
class, however, handwriting is a science of negatives. A good
microscope will always be found a good detective in determining the
genuineness of handwriting.
By way of illustrating one method of forgery interesting material
which had played an important part in a court case was carefully
examined. It consisted of five or six graded photographic enlargements
of the duplicate signature which were carefully examined with the aid
of a microscope. The original had been made by an elderly person and
the forger had used the tracing process. To the naked eye it appeared
to be a capital copy; in fact, it seemed to bear every semblance of
being genuine. In the first enlargement of several diameters certain
inaccuracies of tracing could be discerned, only, however, after
attention had been called to them by an expert. In the next
enlargement these same errors were more apparent, and so on through
the series. The largest photograph was magnified several hundred
diameters greater than the original and stretched across quite an area
of paper. From an examination of this largest one with a microscope it
was evident that the forger first had traced his copy with pencil,
afterward going over it with ink, but so irregularly had his pen
followed the pencil lines that in certain portions of this enlargement
there was room for a man's fist between the first tracing and its inky
covering.
In trying to detect forged handwriting every letter of the alphabet,
wherever written, may be examined with a microscope for the following
characteristics: Size, shading, position relative to the horizontal
line, inclination relative to the vertical line, sharpness of the
curves and angles, proportion and relative position of the different
parts, and elaboration or extension of the extremities. In scarcely
one of these particulars can a man make two letters so much alike that
they cannot be distinguished by microscopical examination.
Although a great deal can be determined in a general way by close
observation with the naked eye, it is always best to employ some
magnifying power--usually an ordinary hand lens or pocket magnifier
will suffice--but the writer has found it better to use a microscope
objective of low power (four or five diameters), which is provided
with an easily slipping sleeve, terminating in a diaphragm which cuts
out the light entering the outside rim of the lens. This sleeve may be
pushed out for one or two centimeters, and the particular spot under
examination isolated from the adjacent parts without undue
magnification. It is one of the popular fallacies that a high
magnifying power is desirable in all cases of difficulty, but usually
the reverse is the case in questions of handwriting.
Experts have sometimes impressed the jury with the fact that they had
employed on some thick and opaque document, powers of several hundred
diameters without the lately applied illumination from the side,
reflected by a glass plate, introduced obliquely into the tube of
the microscope. Without such aid no microscopist need be told that
the light would be wanting to illuminate the field under these
circumstances. The best authorities prescribe a magnifying power of
not more than ten diameters for ordinary observation. For special
purposes higher powers are sometimes useful. An ocular examination of
the ink in the various parts of a written paper, document or
instrument of any kind will generally decide whether it is the same.